ABOUT BRYANBryan Nash Gill was born and raised in the same rural, north-western corner of Connecticut were he works as an artist today. His sculptures and drawings are heavily influenced by the New England countryside but also by geographical regions as diverse as Carrara, Italy, New Orleans, and northern California where he has lived and worked. Gill earned his Bachelors of Fine Arts degree from Tulane University in 1984 and his Masters of Fine Arts from the California College of the Arts in Oakland four years later. A California Arts Council fellow, Gill has since showed his work at many exhibitions and galleries across the United States, including a solo show at the New Britain Museum of American Art in 2004 and 2006, and at the prestigious DeCordova Museum and Sculpture Park located in Lincoln, Massachusetts. Gill is also a two time recipient of the Individual Artists Grant from the Connecticut Commission on the Arts. He was also commissioned to create an installation for the American Pavilion at the Japanese Worlds Fair in Aichi, Japan, in 2005. Gill currently works out of his own studio in New Hartford, Connecticut, mainly with bronze, wood and hundreds of found objects for use in abstract sculpture. Pat Rosoff an art critic for the Hartford Advocate wrote �Bryan Nash Gill is not simply a naturalist, he is an artist rooted in nature�he draws his vocabulary from the world of New England's woods�. His work is in many private and public collections including IBM Corporation in New York, Kaiser Permanente Medical Facility in Fairfield, California and the Boston Public Library just to name a few. In addition to his own work Gill has recently been awarded the Goodman-Banks Artist Residency at the Kingswood Oxford School in West Hartford, Connecticut. Gill has worked as assistant to Andrew Ginzel and Kristin Jones for a new urban landscape exhibition at the Worlds Financial Center in New York and as an assistant to Dennis Leon at the Fuller-Gross Gallery in San Francisco, California.
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RESUME |
EDUCATION
1988 M.F.A.,
1984 B.F.A.,
2007 From The Woods, Assemblages, Woodcuts and Paintings
2006
Bryan Nash Gill, Paintings & Works on Paper, The Minor Memorial Community Studio and Gallery,
2005 Bryan Nash Gill, Sculpture and Works on Paper, The Sue and Eugene Mercy, Jr. Gallery, The Loomis Chaffee School, Windsor, CT
Bryan Nash Gill, Sculptures, Drawings & Prints, Morgan Lehman Gallery,
Installation in the American Pavilion at the Japanese Worlds Fair,
2004
Carspecken-Scott Gallery,
Works By: Bryan Nash Gill, Visual Research Gallery,
2001 Bryan Nash Gill,
2000 Sculpture and Prints, Bryan Nash Gill, Brunner Gallery,
Recent Work, Paesaggio Gallery,
1998 Recent Work, Paesaggio Gallery,
1996 Drawings & Sculpture, Paesaggio Gallery,
Installation, (site-specific), New Britain Museum of American Art,
1995 Installation, (site-specific),
Pierce Pond - Recent Sculpture and Drawings, Paesaggio Gallery,
1993 Sculpture and Drawings, Taub Hall,
Woods: Installation and Drawings,
1990 Featured Artist, Greene Gallery,
1984 Featured Artist,
2007
Natural Elements, Flynn Gallery,
The
Night Vision: Printing Darkness, Center for Contemporary Printmaking,
2006 The
The Elements: Fire ,Gallery of Contemporary Art, Sacred
Hotpics/06, Katonah
2005 All Paintings Great and Small, The Cooley Gallery, Old
El Bosque/The Forest, Traveling Show in
Less Than A Grand: You CAN Take It With You,
Works On Paper, White Gallery,
Bryan Nash Gill Sculpture, Turtle Gallery, Deer Isle, ME,
The Nature of Art,
Black + White, Paesaggio Gallery,
The Innocent Eye, Paesaggio Gallery,
2004 Outside, Jim Kempner Fine Art,
The Painted Gift 2004,
All Paintings Great and Small, The Cooley Gallery, Old
Bryan Nash Gill, Eve Stockton, H.
Out of the Woods, The Cooley Gallery, Old
Printed Matter, Morgan Lehman Gallery,
Art From Connecticut Forests: the Centennial Tree Project, CT DEP Traveling Show
Spring Print Exhibition, Paesaggio Gallery,
New Prints 2004 Spring,
2004 Dialogues In Abstraction, University of Connecticut/Stamford Art Gallery,
Cabin Fever, Morgan Lehman Gallery,
2003 The Painted Gift,
Ink From Wood: Two Traditions, curated by Anthony Kirk, Center for Contemporary Printmaking,
Unleashed, NewArts Gallery,
Elements of Nature,
Contemporary Landscapes, Morgan Lehman Gallery,
Group Show of Gallery Artists, Turtle Gallery, Deer Isle, ME
Trees, Paesaggio Gallery,
2002 Smaller than a Breadbox ,Morgan Lehman Gallery, Lakeville, CT
Striking Impressions: Paper Ink and Process, Center for Contemporary Printmaking, Norwalk, CT
Claiming the Landscape, Alva Gallery, New London, CT
Outdoor Sculpture, Turtle Gallery, Deer Isle, ME
Prints From Within II,
2001 Parts Untitled Space Gallery,
Turtle Gallery, Deer Isle, ME
Collecting at Paesaggio,
Small Version, Brunner Gallery,
Salon Show,
Selections, Paesaggio Gallery,
2000 On The Farm, The Silo,
Prints from Within,
New Year, New Work Brunner Gallery,
1999 Works by Bryan Nash Gill, Brunner Gallery,
Fellowship Recipients,
Small Sculpture, Paesaggio Gallery,
Exhibited Works,
1998
Members' Show,
Exhibited Works, Leighton Gallery,
Small Works, Paesaggio Gallery,
Group Show, Leighton Gallery,
1997 Member's Exhibition,
Small Works, Paesaggio Gallery,
Earth, Water, Sky, 100
Natural Soundings: Art, Artist & Nature,
Gallery Artists, Paesaggio Gallery,
1996 Branching Out: The Trees as Inspiration, Gallery of Contemporary Art, Sacred
The Eighth Triennial, Fuller
Hollycroft International '96, The Hollycroft Foundation,
No
Hollycroft Invitational '96, 50/50, The Hollycroft Foundation,
Trees, 100
1995 Inspiring Sensitivity, The Discovery Museum,
Gallery Artists, Paesaggio Gallery,
Into The Garden,
Contemporary Sculpture at Chesterwood 1995, site-specific installation, Chesterwood, Stockbridge, MA
RAW Space,
Winter Light, 100
1994
Landscape: Seen and Remembered, curated by Janie Paul, organized by Organization of Independent Artists, The Police Building, New York, NY
1993 Gallery Artist, Paesaggio Gallery,
Landscapes,
Invitational I, Marisa Del Re Gallery,
1993 Exhibition of Contemporary Sculpture,
Curator's Choice,
Year-End Show, The Charter Oak Cultural Center,
1992 Small Works Invitational, Artspace Gallery,
Selected Landscapes, Paesaggio Gallery,
Elemental Images, The John Slade Ely House,
Young Artists,
New Work,
Off the Wall 5,
1991 Exhibition of Painting & Sculpture, The
AWARDS
2008 Visiting Artist Program in printmaking, Hartford Art Scool ,
2006 New
2006 Visitig Artist Workshop/Program,
2005 Artists Resources Trust,
2004 Goodman-Banks Artist Residency,
1997 Individual Artists
Individual Artist Fellowship, Special Projects Grant, Greater
1993 Individual Artist Project
1992 Best in Show, Artspace Gallery,
1989 Drawing Fellowship,
COLLECTIONS
Riverside Associates,
Andrew Hirschl,
Jorge and Natalie
IBM,
Kaiser Permanente Medical Facility,
Molten Metal Technologies,
The Ensign-Bickford Company,
Wood Structures, Inc.
Nancy and Robinson Grover
Janice and Mickey Cartin
BIBLIOGRAPHY
Orion Magazine, Nature Restructured�, volume 26/No. 3, May/June 2007
Patricia Rosoff, �Bryan Nash Gill � Mercer Gallery�, Sculpture Magazine, December 2006
Rufus Foshee, � Prints: CMCA in full sway�, Village Soup Times ME,
Nature Genetics, volume 38, #3, Cover Art, March 2006; volume 38, #5, May 2006
Phyllis A.S. Boros, �Artists fired up about latest installment of SHU exhibit�, Connecticut Post,
Lea Lion, �A
Alex Chu, �Can't see the
Erica Browne Grivas, �Surprise Inside�, Connecticut Home & Garden, Premier Issue, 2006
Abby Luby, �Freeze Frame�, The Advocate& Greenwich Times, May 21, 2006
Gregory Seay, �Out of the Natural World�, The
Art Resource Trust, The First 10 Years, Grant-making to New England Artists and Institutions, 1996-
2006
Merry MacMasters, �El Bosque/The
Patricia Rosoff, �Bryan Nash Gill�, Art New
Nature Genetics, volume 38, #3, Cover Art, March 2006; volume 38, #5, May 2006
John Maxim, �Sculptured �
Fred A. Bernstein, �National Treasure�, Interior Design Magazine #9, July, 2005
Patricia Rosoff, �Everything that God Made�, The
�Gills work featured at museum�, The Herald,
BILBIOGRAPHY CONTINUED
Lisa Brisson, �From one giant oak, many visions are born�, Newington Life, July �04
L.P. Stritfeld, �Drawing �Ink From Wood�, The Advocate & Greenwich Times,
Patricia Rosoff, Wheels in the Fields: Bryan Nash Gill, Sculpture Magazine, April 2002
Judy Birke, �Minimalism, updated, is looking more relaxed, New Haven Register,
Patricia Rosoff, �At Home in the Deafening Silence of the Woods: Bryan Nash Gill�, Art New
BethSurdut,
Dina Walker, New
Kathryn Boughton, Litchfield
Patricia Rosoff, �Wood Work�, The
Owen McNally, �Into the Woods�, The
Steve Starger, �Bryan Nash Gill: Recent Work�, Art New
Emma White, �Art Inspired by Nature�,
Owen McNally, �The Rhythms of Nature�, The
Life on the Farm�, Good Living,
Patricia Rosoff.�Bryan Nash Gill: Drawing and Sculptures�, Art New
Jeff Parrott, �The Eighth Triennial Exhibition�, artsMEDIA, January/February, 1997.
Mary Sherman, �Triennial' trumpets works by
ChristineTemin, �Best of Show, Fuller surveys art scene-indoors and out-for the pick of
June Schwendenwien,�More restrained works from Gill at Paesaggio Gallery�, The Hartford Courant, 17, 1996.
Owen McNally. �Star Treck, the next generation�, The Hartford Courant,
Susan Tamulevich. �A 100 Percent �50/50'�, The
Patricia Rosoff. �Making Connections�, The
Owen McNally. �
�Reception Tuesday opens contemporary art show�, The Herald,
William Zimmer. �Trees That Can Hold Up In Any Weather�, The New York Times, March 31,
1996
Jude Schwendenwein. �Trees�, The
Patricia Rosoff.�Going Out on a Limb�,
Christine Tenim. �Nature plays a starring role in Chesterwood sculpture show�, The
Globe,
Peg Churchill Wright. �Chesterwood sculptures work harmoniously with surroundings�, The Daily Gazette,
Christine Tenim. �Nature plays a starring role in Chesterwood sculpture show�, The
Globe,
Peg Churchill Wright. �Chesterwood sculptures work harmoniously with surroundings�, The Daily Gazette,
Patricia Rosoff. �
Patricia Rosoff. �Bryan Nash Gill: Drawings and Sculptures�, Art New
Dennis Anderson. �Contemporary Sculpture at Chesterwood 1995� catalogue essay, Chesterwood, Stockbridge, MA, 1995.
John Cusano. �Investing In Dreams�, catalogue essay, Connecticut Commission on the Arts traveling exhibition of grant recipients, 1995.
Robert Edelman. �Landscape: Seen and Remembered�, catalogue essay, Organization of Independent Artists, 1994.
Patricia Rosoff. �Artistic Winter Reveries�,
Vivien Raynor. �Appreciation for Color�, The
Vivien Raynor. �Through Medium and Process�, The New York Times,
Judy Birke. �Creative Chaos? Grin and bear it at Ely House�, New Haven Register,
Patrick McCaughey. �Woods�, catalogue essay, William Benton Museum of Art, 1993.
Raymond Smith. �The Elemental Image at John Slade Ely House,
Kristine A. Harger. �Bringing the Outside In�,
James Weiss. �Pointing out the good and bad in contemporary art�,
Jock Reynolds. �1991 Exhibition of Painting and Sculpture�, catalogue essay, The Berkshire Museum, 1991